This is is one of the most beautiful mandolins, in design and tone, that I have ever seen or played. It is Lyon and Healy pro A mandolin, made in the early 1920's in Chicago, USA. It has all original hardware, in wonderful condition and comes with the original case. There are not that many Lyon and Healy mandolins with this incredible asymmetrical design around, and even fewer that have all the original pieces and with no repairs.

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When I bought this wonderful instrument I was told that it was from the 1917 period but after a lot of searching, and asking questions it seems that this is indeed not the case. It now looks more like it is somewhere from the period of 1918 to the early 1920’s. Dating a Lyon and Healy A mandolin has become a difficult thing to do, since most of the early records for the company were destroyed in a fire but you would think that there would be more info on such a classic instrument, than there is.


The design of the Lyon and Healy A mandolin stands as one of the most beautiful and distinctive mandolins of all time, up there with the wonderful Gibson F4. The craftsmanship and attention to detail on these mandolins is exquisite and the grade of spruce (top) and highly figured maple (back and sides) left many other makers at the time, including Gibson, in its shadow. Today there seems to be a wave of copies, but there is something much more magical and inspiring about the original.


The violin styled head, and the wonderful engraved tailpiece ( pictured above) on these instruments are beautifully done. The tuner heads, flat top plate of the instrument head, and the scratch plate are all made of vulcanized rubber. This looks like ebony and gives the instrument a wonderful balance of the mat black to the shiny highly figured woods. They even have a vulcanized rubber strip running through the neck , acting as an early truss rod. Slight radius ebony fret board is a true pleasure for the fingers. A fast and fluid of playability is a true credit to its impressive craftsmanship. The tone is has less bass than your Gibson, but the balance of tone across the strings is quite superb. A tone that is very much favored by classical musicians across the world but also very welcoming to celtic and jazz players.


Most of the Lyon and Healy mandolins I have seen, seem to carry the ‘Washburn’ label, whereas mine carries a ‘Lyon and Healy’ label. I am not quite sure why, and I would be very interested if anyone could educate me more about the Lyon and Healy A styled mandolins. These mandolins have become very rare over the years and have become a very desired piece for many collectors.

If you own a Lyon and Healy mandolin, mandola or mandocello, I would be very interested to see it.

 

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